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アジア・ミーツ・アジア コラボレーション企画
アジア6地域からの声<カブ ール ーグワーハーティ ー香港 ー上海 ー台北 ー東京> ...........Asia meets Asia Collaboration Project ..............Voices from 6 areas of Asia<KabulーGuwahatiーHong kongーShanghaiーTaipeiーTokyo |
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あり得たかもしれない、
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●企画について About Unbearable Dreams
アジア・ミーツ・アジアはアジア現代演劇交流の発展を目指し1997年に開始。
この度の企画<Unbearable
Dreams>は、当フェスティバル参加者たちによって2000年に開始された、
今回公演は、昨年秋に行われました「東アジア4都市<上海・香港・台北・東京>共同巡回公演
Lost Homeと題されましたこの共同公演におきまして、
今日、世界最多の難民を生み出すアジア。 |
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Note from Salimi
![]() Let's say we ignored someone in our life in the past; maybe, a family member, someone we loved, a friend or anyone else. He passed away. We regret for what we could've done when he/she was alive. We' could've spend more time with him/her. We could've done something good to him/her. We regret and wish to have that opportunity once more and act differently. As human beings, we think, decide and chose. We are responsible for our choices. We are white pieces of paper. Considering social, cultural and political factors, we write who and how we should be. Each choice comes with a lost opportunity. That is the other choice we didnt make. We lost an opportunity. If we have that choice what will we do? how will we act/react? What difference will that choice make to us and others? When we have something, we posses something, we dont know the value/worth of that thing. But when we lose it, we regret and wish we acted differently. It is a lost opportunity. Becoming an immigrant or living in exile makes us feel lost opportunity; home and homeland. When we had it, we never thought about or valued it how we do in immigration/exile. It is a lost opportunity. It is the same with life. We have it, we dont worth it. When we lose it, it becomes very precious. Whenever I use microwave, the timer reminds of time passing. It makes me think every second I get close to death. I age. I think about my life what I have done or achieved in the past. Who I am or what I have present and I need to do in the future. It makes me prioritize things in my life. At the same time, it scares me of death. Death to me is dark, black, and unknown. There is no sense of direction or time. There is no time and space. No colors. It is unknown. It is scary. Any unknown thing causes fear to human beings. In the other version, when I think of death, I think I might meet with my close and lost family/friends whom I ignored before. I think I will act differently when I regain the lost opportunities. I will prioritize other things in my life when I am given those lost opportunities. Woody Allen's movie A Midsummer Night's Sex Comedy is a good example of lost opportunities. |
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●共同構成・演出 Co-composed & directed by | |||||||||||||||||||
プロフィール | ムハマド・サリミ | Mahmood Salimi | Kabul Afghanistan | |||||||||||||||||
ラヴィジタ・ゴゴイ | Rabijita Gogoi | Guwahati Assam, India | ||||||||||||||||||
湯時康 | Tom Sze Hong | Hong Kong | ||||||||||||||||||
王墨林 | Wang Mo-ling | Taipei | ||||||||||||||||||
赵川 | Zhao Chuan | Shanghai | ||||||||||||||||||
(総合演出) | 大橋宏 | Hiroshi Ohashi | Tokyo | |||||||||||||||||
●出演 Performers | ムハマド・サリミ | Mahmood Salimi | Kabul, Afghanistan | |||||||||||||||||
ラヴィジタ・ゴゴイ | Rabijita Gogoi | Guwahati Assam, India | ||||||||||||||||||
湯時康 | Tom Sze Hong | Hong Kong | ||||||||||||||||||
朱秀文 | Chu Sau Man, Virginia | Hong Kong | ||||||||||||||||||
赵川 | Zhao Chuan | Shanghai | ||||||||||||||||||
瓦旦塢瑪 | Watan Uma | Taipei | ||||||||||||||||||
陳成婷 | Cheng-ting Chen | Taipei | ||||||||||||||||||
姚 立群 | Yao Lee-chun | Taipei | ||||||||||||||||||
八重樫聖 | Sei Yaegashi | Tokyo | ||||||||||||||||||
今井あゆみ | Ayumi Imai | Tokyo | ||||||||||||||||||
中島彰宏 | Akihiro Nakajima | Tokyo | ||||||||||||||||||
原田拓巳 | Takumi Harada | Tokyo | ||||||||||||||||||
野田貴子 | Takako Noda | Tokyo | ||||||||||||||||||
遠藤徳恵 | Norie Endo | |||||||||||||||||||
●スタッフstaff | ||||||||||||||||||||
舞台美術stage | 吉川聡一 | Soichi Yoshikawa | ||||||||||||||||||
design | 山崎久美子 | Kumiko Yamazaki | ||||||||||||||||||
照明lighting | 阿狩家 | Akariya | ||||||||||||||||||
宣美Poster Design | 村上宏 | Hiroshi Murakami | ||||||||||||||||||
写真Photo | 田中英夫 | Hideo Tanaka | ||||||||||||||||||
中村和夫 | Kazuo Nakamura | |||||||||||||||||||
ヴィデオVideo | たきしまひろよし | Hiroyoshi Takishima | ||||||||||||||||||
通訳
・翻訳 演出助手 |
松島仁美 吉井孝史 花崎攝 森村知恵 |
Hitomi Matsushima Takashi Setsu Hanasaki Chie Morimura |
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協力cooperation | 玉木康晃 | Yasuteru Tamaki | ||||||||||||||||||
玉木千裕 | Chihiro Tamaki・ | 〔PLASTIC RAINS〕 | ||||||||||||||||||
長野由利子 | Yuriko Nagano | |||||||||||||||||||
柿崎桃子 | Momoko Kakizaki | |||||||||||||||||||
高橋信吾 | Shingo Takahash | |||||||||||||||||||
チェキュハ | ||||||||||||||||||||
大橋いくみ | Ikumi Ohashi | |||||||||||||||||||
●後援 Cosponsorship | ||||||||||||||||||||
DA・M | 東京 Tokyo | |||||||||||||||||||
BodyPhaseStudio | 台湾 Taipei | |||||||||||||||||||
Clash | 香港 Hong Kong | |||||||||||||||||||
Grass Stage | 上海 Shanghai | |||||||||||||||||||
●助成 Supported by | 芸術文化振興基金 | JAPAN ARTS FUND | ||||||||||||||||||
●主催 produced by | アジア・ミーツ・アジア | Asia meets Asia | ||||||||||||||||||
八重樫聖・今井あゆみ・中島彰宏・松島仁美・花崎攝・龍昇・大橋宏 | ||||||||||||||||||||
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●日程 Date | 2009年12月 | December, 2009 | |||||||||||||||||
Performance. | 5(土) 7時開演 | 5 sat 7:00pm Start | ※終演後 歓談会あり | |||||||||||||||||
Performance. | 6(日) 4時開演 | 6 sun 4:00pm Start | ||||||||||||||||||
Cross Talk. | 6時開始 | 6 sun 6:00pm Start |
「アフガニスタンからの声」
進行:鴻英良 Voice from Afghanistan emcee:Eiryo Otori |
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Performance. | 7(月) 7時開演 | 7 mon 7:00pm Start | ※終演後 歓談会あり | |||||||||||||||||
●会場 Place | プロト・シアター | Proto-theater | ■地図 map | |||||||||||||||||
クロス・トーク 「アフガニスタンからの声」 進行:鴻英良 | ||||||||||||||||||||
アフガニスタン・カブールで活動していたMahmood Shah Salimiさん周辺の”体験談”を 伺いながら、海外参加者たちがそれそれの意見を交える・・・ |
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●チケットTichet | 当日 at the door | \3000 | |||||||||||||||||
前売り in advance | \2500 | |||||||||||||||||||
学生割引 student |
\1800 |
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Cross Talk | Free | |||||||||||||||||||
前売りチケットは以下にてご予約下さい。当日受付にて代金とお引き換え致します。 | ||||||||||||||||||||
★お勧め★メールでお申し込みの場合、日時、枚数、お名前をご記入下さい。 ご返信メールにて受付確認させて頂きます。 |
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●予約・問合せ Information &Reservation |
03-3360-6463 03-3368-0490 メール 予約 住所 Adress |
アジア・ミーツ・アジア実行委員会 プロト・シアター a.m.a.1997@nifty.com 〒164-0003 東京都中野区東中野5-29-20 井上ビル201 |
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